How on earth do you tell your family that you’d seen . . .
. . . Our Lady . . .
. . . The Virgin Mary . . .
. . . The Queen of Heaven . . .
. . . The Mother of God. (The Mother of GOD!)
And that she had spoken to you.
And that she was going to speak to you again.
Up in the Crow’s Nest.
Tomorrow.
And that was why you had to be there.
(And that’s why you’d wet yourself.)
Jacinta’s father works as the groundsman for the local sports stadium, which they’ve nick-named The Field. While he tends to the needs of the stadium, Jacinta looks down on the world from the Crow’s Nest, the corporate box used by the big-wigs to get the best view of the games at the stadium. The Crow’s Nest is one of her favourite places in the world and she often pretends that she commands the players and places them where she wants them to go. She may not have her special place for much longer if the City Council gets its way and knocks down The Field to replace it with a carpark for the new stadium. It is while she is in the Crow’s Nest one day that Mother Mary appears to her in the television. Jacinta doesn’t know if she is going crazy and seeing things or whether her vision is real, but when Mary appears again the next day there is no doubt. Mary wants Jacinta to gather as many people as she can at The Field so that she can pass on a message. The only problem is trying to get her family and the rest of her town to believe her.
The Field is a refreshingly original story from one of Christchurch’s own children’s authors, Bill Nagelkerke. The story had a real ‘Kiwi’ feel about it, from the setting (which could be just about any city in New Zealand) to the characters. Don’t be put off by the religious aspect to the story because I think you’d enjoy it whether or not you have any religious affiliation. I found Jacinta easy to relate to as she was just a normal kid, and I found myself wondering what I would have done if I’d been in her situation. In a way she’s a modern day Joan of Arc, who has to convince her parents, the priests and the other people in her city that she actually is communicating with Mother Mary and that they should listen to her message. One thing that I particularly liked about the story was that the second part was told using different forms of media, including newspaper articles, letters to the editor and City Council meeting minutes. This added different opinions to the story that we didn’t get in the first part. The ending leaves you wondering whether people do turn up to hear her message and what that message might have been. Like the other people in the story, we have to make up our own mind.
3.5 out of 5 stars
The Field is one of the first ebooks I’ve read and it’s the first title in ACHUKA’s digital publishing imprint: ACHUKAbooks. I’ll look forward to reading their next releases. ACHUKAbooks are encouraging more submissions so if you are interested you can contact them at kindle@achuka.co.uk.




Kyle Mewburn deserves an award for being New Zealand’s hardest working children’s author this year. He’s had so many books published in 2011, from picture books to junior fiction novels. His Dinosaur Rescue series (with which he collaborates with the brilliant Donovan Bixley) is probably the best series for junior readers to come out of New Zealand in recent years. Kyle’s latest book is a picture book about a cow that tries to make friends with the moon, called Moon Cow.
Marmaduke Duck and the Marmalade Jam by Juliette MacIver and illustrated by Sarah Davis was one of the finalists in this year’s New Zealand Post Children’s Book Awards and was one of my favourites. The bouncy, rhyming text and stunning illustrations were a winning combination and made a fun, if tongue-twisting, read-aloud. I was excited to see that they had written another Marmaduke Duck book, called Marmaduke Duck and Bernadette Bear.
Christchurch kids have seen lots of diggers, dump trucks, and cranes lately with all the demolitions after our earthquakes so what better time for a book about a grumpy digger than now. Bruiser is a grumpy digger on a mission. He has to hurry up and plough the hillsides, crush rocks and tear up forests so that he can get the motorway built. But one day he gets stuck in the mud and no matter what he does he can’t get out. While he’s trying to get out, he knocks a magpie nest out of a tree and it’s up to Bruiser to get them to safety.
The Elves and the Cloakmaker is the latest title in the Kiwi Corkers series from Scholastic. Written by Chris Gurney and illustrated by John Bennett, I think this is one of the first, if not the first, Christmas book with a Maori theme. Chris and John have taken the idea of the original Elves and the Shoemaker story and given it a New Zealand twist.
Spencer Fogle is an ordinary kid who lives in the extraordinary town of Filmington. His hometown used to be called Flemington, until film and TV crews discovered its range of landscapes, from fiery volcanoes to snowy mountains and lush rainforests, and took over the town. The town’s richest resident, Jimmy Jangle, controls most of the business within Filmington and holds alot of people’s futures in his hands. When Spencer is walking home from school one day, he hears blood-curdling screams coming from one of the science labs and goes to investigate. Spencer uncovers a dark plot involving carnivorous plants, genetically modified flies and a mysterious, hidden file. However, Jimmy Jangle and his thugs are willing to do anything to keep the truth covered up.
We were first introduced to Juno and the people of Taris in Juno of Taris, what would become the first in a trilogy. I picked up Juno of Taris on a recommendation of another children’s librarian that I worked with and was blown away by the community that Fleur Beale had created. For those of you who haven’t read the first book, it’s best to start at the beginning, but one of the great things about the subsequent books in the trilogy is that you get a summary of the story so far before you start. I don’t know if this was an idea of the publisher, Random House New Zealand, or Fleur herself, but I think it’s something that all trilogies/series should have, especially when the books come out a year apart.