Interview with Gareth P. Jones + giveaway of Constable & Toop

Garth P. Jones is the author of the creepy, gruesome and funny new book, Constable & Toop (you can read my review here).  After finishing Constable & Toop I wanted to find out what else he had written and I discovered that we had his Dragon Detective Agency series and The Thornthwaite Inheritance sitting on our library shelves.  I love his writing style and I now want to go and read all of his other books.  Gareth very kindly answered my questions about his writing and his fantastic new book.

  • What inspired you to write Constable and Toop?
I was sitting in a coffee shop in Honor Oak (which is not far from my flat). The coffee shop is opposite an undertakers called Constable & Toop. At the time I was trying to come up with a new idea. I wrote down the name of the undertakers, which I found especially evocative. By the time I had finished my coffee the bare bones of the idea were down on paper.
  • Are any of the ghosts in Constable and Toop based on real ghosts?
As a non-believer, I am amused by the idea of real ghosts, but yes – some are. The Man in Grey is the best example. A tour guide by the name of David Kendell-Kerby (also an actor and writer himself) told me about several ghosts who haunt Drury Lane (apparently the most haunted theatre in the world). I liked the story of the Man in Grey best. The stuff about him being bricked up in the wall and possibly killed for discovering accounting irregularities is all ‘true’ although his name was unknown so I borrowed David’s. The part about him whispering to lines to actors is ‘true’ as well – a kind of spiritual teleprompter.
  • In your story there are different types of ghosts, including Enforcers, Prowlers and Rogues. What sort of ghost would you be?
Well, I have certainly worked for large organisations like the Bureau where you can hide the fact you’re not doing much behind all the processes and procedures so maybe I would be a clerk – although a far less conscientious one than Lapsewood .

  • The story is set in Victorian England and you really feel immersed in the period as you read. While researching and writing your story what was the most interesting thing that you learnt about this period?
I think mostly I was struck by how similar it was. I was interested in the South-East London suburbs where I live and where most of the action is based and, although there has been a lot of development, it’s not that different in terms of how connected to London you feel. One of the formative moments in writing was standing at the top of the hill between Honor Oak and Peckham Rye and looking down at London and I realised that the view probably wouldn’t have been dramatically different – give or take a few buildings here and there. There were lots of moments while wandering around London when I felt very connected with the city’s history.

  • One of the things I like the most about Constable and Toop is the mix of the creepy and gruesome with the lighter moments and witty banter between your characters. Was this how you originally planned the story or did you set out to write a more traditional ghost story?
I had a very tight deadline with this book and how no real time to stop and consider what I was doing. Happily the story flowed very quickly from my pen. Gruesome and creepy were necessities of the story and I always intended it to be funny. My editor had told me that she didn’t think my previous book (The Considine Curse) was very funny so I was determined to make sure this one was.
  • What exciting stories can we look forward to from you?

Hm, I’m not sure I’m ready to tell anyone yet. It looks like it will have a Victorian setting again though – at least in part. And It will probably have elements of supernatural and humour – but not ghosts again. I’ll save ghosts for when I do a sequel to Constable & Toop… if I ever do that is.

Win a copy of Constable & Toop!

I have 2 copies of Constable & Toop to give away.  To get in the draw just enter your name and email address in the form below.  Competition closes Wednesday 21 November (NZ only).

Thanks to everyone who entered.  This competition is now closed.

Constable & Toop by Gareth P. Jones

If you’re a regular reader of my blog you’ll know that I love creepy stories of all kinds.  Ghosts, werewolves, zombies, vampires, and other creatures that live in the dark are often featured in the books I love.  I’ve been reading many of the first titles from Hot Key Books (a brilliant new publisher based in the UK) and when I read about Constable & Toop by Gareth P. Jones I had to get my hands on it.  A ghost story set in Victorian London, featuring a boy who could communicate with ghosts, sounded absolutely fantastic!  Constable & Toop was even better than it sounded.

Sam Toop lives in a funeral parlour, blessed (or cursed) with an unusual gift. While his father buries the dead, Sam is haunted by their constant demands for attention. Trouble is afoot on the ‘other side’ – there is a horrible disease that is mysteriously imprisoning ghosts into empty houses in the world of the living. And Sam is caught in the middle – will he be able to bring himself to help?

Constable & Toop is a creepy, gruesome story, with plenty of mystery, and a good dose of wit and humour.  Gareth can have you cringing one moment and laughing the next, which is why I liked the book so much.  He has given us a glimpse inside the ghost world and it’s not what you would expect.  It’s the ghost world and the witty banter between his characters that provide the comic relief of the story.  There is also plenty of throat slitting and stabbing for those who like their ghost stories gruesome.  The story is set in Victorian London and from the first page you are immersed in the sights, sounds and smells of the period.

There are several different threads of the story, following different characters, which Gareth weaves together perfectly.  Gareth shows us the lives of the living and the dead, and the ‘Talkers’ allow them to communicate with each other.  Characters whose lives seem quite separate from each other in the beginning become increasingly intertwined as the story progresses.

The thing I liked the most about Constable and Toop was the way that Gareth portrayed the ghost world.  It’s very bureaucratic, with each ghost having a role, like Enforcer or Prowler, and there are lots of rules and regulations that ghosts must follow.  If they don’t do as they are told they’re labelled Rogues and are hunted down.  There is an incredible amount of paperwork that needs to be filled out to do anything, and you must have a license in order to be a Poltergeist.  In order to go to the physical world and find out what your unfinished business is (so that you can step through the Unseen Door and cross over) you have to apply for a research license.  Lapsewood is my favourite character because he’s a very likeable guy, who just wants to get away from all the paperwork and get some adventure out in the real world (while impressing the girl of his dreams).  He has some of the best lines and has some incredibly strange conversations with his superiors, who can never seem to get his name right.

If you want a ghost story with a difference grab a copy of Constable and Toop by Gareth P. Jones.  I would recommend it for fans of Derek Landy’s Skulduggery Pleasant series, Joseph Delaney’s Spook’s Apprentice series, or Barry Hutchison’s Invisible Fiends series.

5 out of 5 stars