Peter Millett is an author who loves to make kids laugh. He has written books for kids of all ages, from picture books to novels. Peter’s latest book is a collection of funny stories for Ladybird Books. Ladybird Funny Stories for 5 Year Olds is a fantastic collection of stories that has been brought to life by Rhashan Stone and Gemma Whelan, as an audiobook. Funny Stories for 5 Year Olds has just been released and you can read my review here.
I caught up with Peter Millett to ask him about how he got this gig with Ladybird Books, how we decided which stories and characters to mash-up and more.
- How did you get this gig? Were you approached by Ladybird
Ladybird is a fantastic publisher with a terrific history of publishing quality books for children. I was super excited to get to work with them on a series of funny picture books in 2020 that were aimed at 2-3 year old readers. While we were doing that my editor Becky asked me if I was interested in writing some longer humorous stories for 3 year olds that could be included on an audio book. One thing led to another and I ended up working on an audio book aimed at 5 year olds instead. This is how much of my career has evolved. One door opens and then another different one, and then another different one after that opens. I feel energised each time I get to try something that I haven’t done before.
- Funny Stories for Five Year Olds is only being released as an audiobook. Did you have to consciously consider, as you were writing them, how well these stories would read aloud?
Yes. And I had to plan this project really carefully too. Most of my longer comedy writing (Boy Zero/Johnny Danger) is for 7+ so I can slip in puns, malapropisms and double-meanings to get the giggles flowing. With audio books it’s a little harder to use wordplay so you have to create jokes that come from obvious mix ups and misunderstandings that are easily understandable for the youngest of listeners. The magical elves in one of my stories get hopelessly confused and end up creating a pair of crocs (crocodiles) instead of a pair of socks. That silly scene is easy for kids to get first time and laugh at.
- You hit the jackpot with narrators for Funny Stories! Did Gemma Whelan and Rhashan Stone do anything surprising with your stories (like different voices than what you were expecting)?
Jackpot is an understatement. Gemma Whelan has appeared in Ben Elton’s comedies and I grew watching and memorising Ben Elton’s comedies! I still can’t believe that Gemma has voiced my stories. Yes, she blew me away on this audio book. I had a pretty wild image in my head about how zany the Queen of Hearts, the Bad Fairy and Cinderella’s Gruff Stepsisters could be. Gemma exceeded that image by quite a way! To quote Spinal Tap she turned the dial up to ’11’. Rhashan genuinely surprised me with his animal character impersonations. He didn’t hold back. He dived into wacky-land and came up with sounds that I didn’t know that human vocal cords could generate. He’s a legend in my books.
- Each of the stories in Funny Stories for 5 Year Olds is a mashup of classic stories and characters, which make for some hilarious combinations. How did you decide which stories and characters to combine?
One at a time! That’s how. This audio book is one of the most intricate and complicated writing projects I’ve ever attempted. Looking back now it all seems so obvious. But at the time I found it quite a challenging to blend multiple disparate storylines and characters into one cohesive unit that somehow was funny and easy to comprehend! I did a lot of walking and thinking while writing this collection. At the end of the day I’m a fan boy and I’d always wanted to see all of these famous and quirky fable and nursery rhyme characters bump into each other and watch the sparks fly. The Golden Duckling was the most fun of all the stories to write.
- If you could write a mashup of any three stories in the world what would you choose?
Hmmm. That sounds like my next audio book project. 🙂 The Day of The Triffids, Swiss Family Robinson and Anne of Green Gables.
Rough idea: Anne finds herself stranded on a deserted island infested with human-eating plants. She bumps into the Swiss Family Robinson who are oblivious to the dangers below as they live happily up in the treetops. Anne must overcome their confusing language barriers and frequent awkward misunderstandings by using roleplaying methods to help alert the family to the perils they unknowingly face. After the human-eating plants are defeated, Anne wants the family to sail a raft to New York where she can stage a Broadway musical about her wild experiences on the island.